Contributor
David Hickey
David Hickey grew up on Prince Edward Island, in western Labrador, and along the north shore of Quebec. A past recipient of the Milton Acorn Prize and the Ralph Gustafson Prize, his first book of poetry,
In the Lights of a Midnight Plow, was a finalist for the Gerald Lampert Award. An avid backyard astronomer, he now lives in London, Ontario.
Four Poems from Open Air Bindery
Excerpts
By David Hickey
X-Ray
So this is where I’ve hidden
my ghost, shadow of all
my firsts, essential self
shuttered down to its most
basic pajamas:
I’ve been looking for you,
ornithological bouquet
blooming in the dark
room of my days,
I’ve been walking around
in negative,
I’ve been wondering
how I fit, moony
white, in the wetsuit of my body—
so it’s good
to greet you at last,
and to see
there’s nothing wrong
with me, nothing
broken, nothing missing
but the wings
of a book
in my hand, nothing
but a little
lamplight
left on inside me.
Suburbia the Beautiful
There’s nothing I
don’t know about marigolds.
That’s why
I can tell you
the tallest is nodding to the second-
in-command
in a small
battalion of summer.
That’s why
they’re paused and sympathetic
next to the patio lattice.
That’s why
you should really
fix your patio lattice.
The stop sign
reddens the street.
The raccoon
machetes the hedge.
And the paperboy
you forgot to pay
last week skirts
the sidewalk’s edge,
fielding a fly ball
deeper and
deeper in the canola fields
of his mind. Only
he’s never seen canola,
so that’s why
the fly ball never lands.
(There’s nothing
I don’t know
about fly balls that never
land.) That’s why
the sun sets
the way that it does
well past the gates of evening.
That’s why
the garage doors
close the way that they do,
that’s why
they wave slowly
goodnight,
that’s why
the foliage, why
the drawbridge,
and why
the quiet castle.
The pavement rivers
past empty
lots. The lawn
waters itself off to sleep.
And the soft
raft of the day,
it gets lost
in the sea
of the paperboy’s
fading
blue denim.
A Brief History of Human Longing
Chapter One
I borrowed it from the library. It held onto my hand.
Chapter Two
I carried it like a rosary. It was the weight of a wedding band.
Chapter Three
I wore it off to work each day and back again at six.
Chapter Four
It sang out to the mower (the sink I couldn’t fix).
Chapter Five
I fell asleep against its font and my sleep was an old green hill.
Chapter Six
I look up sometimes, and I see it there.
Epilogue
And farther, farther still.
Oh God, Oh Charlottetown
The harbour told me this once.
It told me about a city where the snow drifts
took on the colour of every house
they brushed against,
and the front lawns and the streets were tinted
by the dozens of shades
that clung to the neighborhood
homes. Miraculous,
it said. Snow fell on the rooftops in a way
that made me think
it had always been winter in that city.
Strange, I know, but that’s how
it felt. It felt like
the middle of the night, and that, at such an hour,
the lawns and the streets
and the houses were all one,
as if the snow was the work of some
sleepless walker, one
who wore her thoughts through the city
like a scarf around her shoulders,
who gathered them
closer, all the conversations that passed by
single pane windows
disappearing into old drafts, the steady
drift of her footsteps
walking away with their light.
Excerpted with permission from Open Air Bindery by David Hickey, Biblioasis, 2011.